Groundbreaking Glasswork

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John Barber and Susan Marosz turn to innovative techniques to create stunning art pieces.

By Ashley Ryan

 

A New Beginning

Lagunan John Barber is no stranger to creating glass art—in fact, it’s been more than 50 years since he traveled to Germany, witnessed Erwin Eisch at work and convinced the glass master to give him an apprenticeship at Eisch’s Frauenau factory.

LBM_52_Studio_John Barger_Glass Blowing_By Jody Tiongco-49
John Barber, a longtime glass blower, is now using molten glass to make pyrographic art.

A few years later, Barber brought a wealth of knowledge with him back to the U.S. and built his own private glass studio in Santa Monica. By the late 1970s, he had moved to Laguna Beach and discovered the famed art festivals in the canyon. He has shown his glass vases, bowls, stemware and sculptures at Sawdust Art Festival for the last 46 years, with additional displays set up in the gallery on his Laguna Canyon property; as the area is zoned for dual residential/light industrial work, Barber has been producing blown glass pieces here since the 1980s.

This doesn’t even begin to cover the half a century his career spans. But his ever-busy schedule slowed down during the COVID-19 pandemic and gave him time to consider his future. “I’m not going to be able to blow glass until I’m 90 years old,” Barber explains. “It’s physically a very strenuous endeavor. So I thought, what’s another medium I could bring my 50 years of glass blowing into?”

The answer he came up with was watercolors—but Barber’s pieces aren’t your standard watercolor paintings. In a technique he developed himself, which he calls pyrographic art, he places a sheet of heavy watercolor paper on plywood in front of his furnace, then drips molten glass onto the paper to burn a design into it. After that, he uses paint he makes himself to add color and finish the piece. “What I’m doing is making my own watercolors using powdered, colored glass as my pigment,” he adds. “That way, these watercolors will never fade in the sunlight. And, to me, that adds a lot of value.”

Pole Dancers by John Barber
“Pole Dancers,” one of Barber’s new pieces | Photo by John Barber

Barber’s paintings vary in subject matter, ranging from landscapes depicting Catalina Island to imagery with figures or even abstract pieces. “I choose a title and then, when I sit down to paint, I can bring out the things I see in this piece—and I’ve never had to do that with glass,” he says. “When I’m painting these, I’m smiling ear to ear. It’s something brand-new for me.”

Clients at the Sawdust festival have embraced this new avenue since he debuted his pyrographic pieces for the first time during the summer show in 2021. Barber was also invited to give a presentation at the Loca Arts Education annual meeting back in October, where he detailed his new process and shared some of his creations with guests at the brunch.

“The whole thing was a challenge. That’s what intrigued me so much,” he says of developing the pyrographic technique. “I’m kind of reinventing myself.” Find Barber’s new pieces, along with his blown glass, at the Sawdust Art Festival this summer or at his private gallery.

John Barber

21062 Laguna Canyon Road

949-494-1464; johnbarberglassdesigns.com

 

Creative Combinations

Vibrant ocean scenes and floral gardens come to life in Susan Marosz’s glass pieces, which hold texture with just as much importance as they do color. This is achieved through her unique process, leading to pieces that are both one of a kind and stunning to view.

With no formal art training, Marosz worked as a freelance muralist and decorative wall artist for years, but says it was always a job rather than a calling. When her cousin, who is a glass artist, got his own kiln, he invited her to try something new and she spent the next few years testing out techniques in his studio between freelance projects. “I was looking for … a more challenging way to express my art,” she explains.

Waterfall by Susan Marosz
“Waterfall,” a colorful glass piece by Susan Marosz

Eventually, she came up with her own distinctive technique working with glass and she’s now been crafting her own pieces for more than a decade. After creating a rough sketch of her idea, Marosz takes a sheet of clear glass as a base then assembles various cut, crushed and powdered glasses to create the design. Sometimes, she also adds mica powder as well. Next, the piece is placed into the kiln and Marosz uses strictly controlled settings to ensure all of the parts merge into one cohesive piece while maintaining the shape and texture of the individual sections. To finish, the back side of most of her artwork is painted with glass enamel, which Marosz says enhances the details and the color in the glass.

“Glass itself is not a unique medium. However, the process I use is my own so the resulting work is unique,” Marosz explains. “In my process, the glass has texture and vivid colors, and the thickness and transparency of glass allows [the] layers to be visible, adding depth and interest to the artwork.”

Sea Dream by Marosz
“Sea Dream” by Marosz

She uses both clear and dichroic glass; the latter provides a somewhat changeable color with dramatic results. Her paintings showcase stunning natural scenes, like crashing ocean waves, fields of flowers, verdant meadows and underwater reefs, in addition to dramatic and emotive abstracts. “Nature is a big influence. But, really, as I’m putting a piece together, I’m thinking of a place I’d like to be or a feeling I have and that is what you see most reflected in my work,” she says. “As I work, whether the piece is realism or abstract, my intent is to express feelings like power, movement, beauty, peacefulness or a graceful flow.”

Although she lives in neighboring Corona del Mar, Marosz shows her artwork at Laguna Art-A-Fair and has also appeared at Sawdust Art Festival’s Winter Fantasy. In the spring, her unique glass art will be on view at the Balboa Island Artwalk in Newport Beach.

Susan Marosz Art

susanmaroszart.com


Gallery Events

Woman with Daisy-48x48 by America Martin
“Woman with Daisy” by America Martin | Photo by JoAnne Artman Gallery

Gallery Q

In “Mix It Up,” Gallery Q at the Laguna Beach Community & Susi Q Senior Center presents a show based on the concept of “out with the old and in with the new.” The gallery’s first show of the year, this exhibit, which runs through March 8, encourages artists to create using a new medium, style or subject matter. (949-715-8106; thesusiq.org)

JoAnne Artman Gallery

A new exhibit titled “America Martin: Retro” will hang in the gallery, viewable by appointment, through the end of April. Both new and retrospective works will be featured in this solo show, which reveal Martin’s “inner landscape”—her memory, perception, experience and more. (949-510-5481; joanneartmangallery.com)

Look What Kat's Dragged In, 2022, Acrylic on Canvas by Sandra Jones Campbell
“Look What Kat’s Dragged In” by Sandra Jones Campbell | Photo by Pacific Edge Gallery

Las Laguna Art Gallery

With dynamic weather patterns at the forefront of many people’s minds, “Climate Changing” is perfectly timed. This show, which runs through Feb. 25, explores the problems that we are facing due to climate change as well as the solutions that may help offset these alterations. The goal is for artists to use their platform to encourage individuals and businesses to take action and protect the planet. (949-505-0950; laslagunaartgallery.com)

LCAD Gallery

“Peep Show,” the first gallery opening of the year at Laguna College of Art & Design’s off-site space, features works from Susan Tibbles, whose 3D assemblage art has long been featured on the Op-Ed pages of the Los Angeles Times. The exhibit runs through March 19. (949-376-6000; lcad.edu)

LPAPA Gallery

A special exhibition featuring artwork by renowned plein air artists will hang in the gallery through Feb. 27, showcasing original postcards that were crafted for a Laguna Plein Air Painters Association fundraiser that ended in early February. This annual event includes pieces by more than 150 artists in 2023, each painted on 5- by 7-inch postcards. (949-376-3635; lpapa.org)

Pacific Edge Gallery

For one week only, explore Sandra Jones Campbell’s evocative world during a solo exhibition beginning March 11. A special artist reception will be held opening night from 4-8 p.m. to showcase 12 new acrylic paintings as part of her “Chair Woman” series. (949-494-0491; pacificedgegallery.com)

A Moore_Forming_Attachments 20x16
“Forming Attachments” by Anne Moore | Photo by Sandstone Gallery

Sandstone Gallery

Two shows are taking place simultaneously through Feb. 27: “Windows” by Aimee Bonham features abstract acrylic paintings that serve as a window to something more, using 3D anamorphic distortion to present a surreal look at the world. The other exhibit, Anne Moore’s “Art Under Pressure,” showcases monoprints created with a manual printing press that incorporates colored ink, texture and history. (949-497-6775; sandstonegallery.com)

Vanessa Rothe Fine Art

Explore “Valentines,” showcasing 20 artists in a collection of realism and impressionism, through Feb. 15, but stop by on Feb. 11 as well for a fine art and fashion pop-up event as part of the exhibit. The event will also include colorful, one-of-a-kind kimonos and floral robes as well as a line of linen apparel and clothing made in Paris, all for sale alongside complimentary cookies in the gallery. (949-280-1555; vanessarothefineart.com)

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